It’s no secret the Spoonflower team is comprised of talented makers pursuing their personal passions outside of the office. During the day they might be busy shipping orders, helping customers or dreaming up the newest fabric to include in our lineup, but by night, they’re hard at work in their studios passionately producing new products for the small businesses they’ve built from the ground up. Today we’re excited to welcome one of these makers and small business owners, operations team member and creator of Pink Moon Ceramics, Jenna Leitner. The first time we saw how Jenna incorporated Spoonflower’s Smooth Wallpaper in her product photography, we knew we had to learn more. If you’re a maker looking for an easy (and affordable) way to highlight your work, Jenna’s photography hack could be the answer you’re looking for!
Have you ever found a sewing pattern that you’ve fallen in love with and can’t help but make time after time? When you open your closet, do you see that specific pattern taking over your wardrobe until you realize you now have six versions of the same project? Spoonflower team member Meredith shares the Sprout Patterns project that’s taking over her closet: the Kielo Wrap Dress by Named Clothing. Keep reading to learn how she used the Sprout Patterns’ color coordinating tool to take her staple dress to the next level!
We’re always impressed when a Spoonflower maker and small business owner also designs their own fabric. Our latest featured maker, Yaling, was born and raised in Taiwan and loved to draw and sew as a child. After earning a bachelor’s degree in English, she moved to California at age 21 to study design. She launched her small business, Flowie, after earning a BFA in applied textiles. Her store offers beautiful made-to-order bags and accessories featuring her charismatic watercolors, plus she recently opened a Spoonflower shop with never-before seen designs. Read on to get to know Yaling!
My day starts with:
“A cup of coffee, getting my son ready for school, taking him to school, and then checking emails.” [Read more…] about Meet the Maker: Yaling Hou Suzuki
Do you ever find yourself scrolling through your Instagram feed “oohing and ahhing” at all of the photos of handmade garments stitched up by sewists around the world? This month, all eyes are on Me-Made-May (#mmmay17), a challenge designed to encourage people who sew/knit/crochet/refashion/upcycle garments for themselves to wear and love them more. Today, Zoe Edwards, the maker behind this social challenge and author of “So Zo…What Do You Know,” stops by the blog to give us an inside scoop on the hashtag that is inspiring us all!
Many artists are inspired by their surroundings, and for designer and maker Solvejg Makaretz , that space is Yarmouth on the coast of Maine. Solvejg’s designs channel both natural elements of the coast and cultural elements of her Scandinavian upbringing in her company Tröskö Design, featuring handmade home goods. Get to know this Martha Stewart American Made finalist in our interview below and visit her shop online and on Etsy.
My day starts with: “walking our dog in the woods. This gives me time to follow the small changes of the season up close. After breakfast my days are a wild mix of cutting, sewing, drawing, cooking, ordering, shipping, photographing, doing chores and having at least two cups of strong coffee to go with it.”
Hazy winter days are upon us in North Carolina, but our latest featured maker has us dreaming of tropical destinations. James Hackett, a fashion designer and small business owner, hails from the island of Trinidad and Tobago, just north of Venezuela in the Caribbean. His fresh and colorful designs turn Spoonflower fabrics into wearable art as dresses, leggings, bags and more. Get to know James and his business Lush Kingdom below.
My day starts with: “Work to be honest. I like to get up and go early, so I tend to leave anything I have to get done for the morning. This would be working in Illustrator or drawings mostly.”
My day starts with a bit of a mom hustle, feeding two boys, getting one to school and the other back down for a nap and then hit the ground running with either a shift at the store, exercise, or checking things off my list.
Whether you’re headed on vacation or a post-graduation trip, traveling can sometimes be challenging when you’re not prepared. We’ve got you covered with our round up 5 DIYs — from travel pillows to sleep masks that you can make with as little as a fat quarter! Before you head out to your next adventure (or spend way too much money on a fancy neck pillow at the duty-free shop), check out these easy travel craft projects.
What travel accessories do you swear by? Let us know in the comments!
Today kicks off the first day of our second annual 12 Days of Design! We're delivering 12 days of design tips directly to your inbox to help you create your first, or next, textile design! If you haven't signed up, it's not too late–sign up now!
Sometimes the hardest part of fabric design is just getting started. It's common to feel completely uninspired, but luckily there are a million ways to get the creative juices flowing! We'll start this year's series by sharing our favorite places and ways to find inspiration. How do you get inspired? Please share in the comments below!
1. Visit a downtown: Hit the streets in a urban area to be inspired by the city buzz and bright lights!
Materials & tools
Let’s start first with the list of materials that you will need to finish your quilt. You can collect these materials and get everything ready so you are ready to sew when your fabric arrives.
- Quilt Top: Your Cheater Quilt Fabric (1 yard) ordered from Spoonflower
- Quilt Backing & Binding: 2 yards of coordinating fabric. I ordered a coordinating gradient fabric from Spoonflower for the backing and binding. You could also use 2 yards of a solid color. If you choose another fabric, it needs to be the same width (56 inches) as your quilt top and should be a similar weight.
- Batting: 40 x 60 inches. I like 100% cotton batting for my quilts. My favorite is Warm & Natural by the Warm Company.
- Masking tape
- Large safety pins (you need at least 100)
- Rotary cutter, mat and ruler
- Coordinating sewing thread
- Sharp sewing scissors
- Sewing needle. I recommend a small embroidery needle because they have a large eye which is easy to thread.
- Your sewing machine
- Seam ripper (because you know you will need one)
- Optional. If you want to tie your quilt instead of machine quilting, you will want to get embroidery thread or perle cotton in a coordinating color.
I want to start out by saying right away that there is no “right” way to make a quilt. I am going to give you the steps I used to make this quilt, but there are many different ways to put them together. I used the sewing machine to assemble and do the quilting for my quilt, but you can also hand quilt or tie your quilt. I will talk about those options in the next lesson.
Setting up your machine.
Make sure your sewing machine is in good working order. Take a minute to brush away the dust and lint. It is always a good idea to put in a new sewing machine needle when you start a big project. For this project, you need just a basic needle for mid-weight fabrics.
Choose a thread color and wind a bobbin or two. For my quilt, I chose to use a rainbow variegated thread in the bobbin for everything and I switched colors for the top thread to match the colored block I was quilting.
Make sure you have plenty of space. This will be a somewhat large and unwieldy piece of fabric to be stitching. Make sure you have extra table space to the side and back of your machine so that you can move it around freely.
If your machine has a walking foot, you might consider using it for this project as they are designed to help with thick layers of fabric and will help keep the layers from shifting as you quilt. Here is a post that tells you more about walking feet and how to use them.
Quilt skills and vocabulary.
These are some basic sewing skills and vocabulary to review before you start making your quilt. If you don’t feel confident, practice with some scrap fabric before you dive into your quilt. Potholders make great practice quilt projects!
Straight stitch. Set up your machine to stitch a basic straight stitch. For my machine, I like a stitch length of about 2.5, which is about 10 stitches to the inch. Make a swatch with a couple of scraps of fabric and batting and see if the stitches look the way you want them too.
Pivot. I traced concentric squares around the center, middle row and outside edge of all of the patchwork blocks with quilting. This means I am going to need to pivot at a lot of corners to make those squares. To pivot, slow down as you get right to the end of the quilting line. Stop with the needle in the fabric. Pick up the presser foot, rotate the fabric 90 degrees, and put the presser foot back down to continue stitching.
Backtack. Backtacking means to make 3-4 stitches in reverse at the beginning and end of your stitching line. This reinforces the end of the stitching. We will use this when putting on the quilt binding.
Selvedge. The selvedge edge of the fabric are the finished woven edges that follow the lengthwise grain of the fabric.
Binding. The quilt binding is the narrow strip of fabric around the outside edge of the quilt that you use to finish off the raw edges. For this quilt, I used the extra backing fabric to make the binding as well.
Preparing your fabrics.
As soon as you have your quilt fabrics, take a minute to admire them and then wash, dry and press each fabric. I always pre-wash fabrics because I want to make sure that if they are going to shrink or change in any way that they do it before I sew. For sateen fabric, Spoonflower recommends to machine wash warm or cool on a gentle/delicate setting, using phosphate-free detergent.
Finishing your quilt.
The first step in the quilting process is to trim your fabrics to size.
- Quilt top. Trim away the selvedges and extra unprinted edges. Set this aside.
- Backing. Cut a piece from the 2 yds of backing fabric that is 56” (full width) x 40 inches. We want the backing to be a little larger than the front to start.
- Binding. Fold the remaining piece of backing fabric in half, matching the selvedges. We will cut these pieces doubled, perpendicular to the selvedges. Using the rotary cutter and ruler, cut 4 strips that are each 3 inches wide. Trim away the unprinted edges and selvedges.
The remaining backing fabric you can set aside for another use.
Laying out the quilt layers.
You will need a large table or other flat space to lay out your quilt. I don’t have a table that’s large enough, so I end up using the well-swept hardwood floor in my dining room. Lay the backing fabric face down on the table. Using small strips of masking tape, tape the corners and sides of the backing fabric to the table. Pull it smooth and tight, but don’t pull so hard that you distort the fabric. Taping down the fabric allows you to get all of the layers smooth without adding any wrinkles or puckers underneath where you can’t see it. Add a couple of extra strips of tape to mark where the edges of the printing are on the selvedge edges of your
backing fabric. This will help you line up the top layer.
Place the batting on top of the backing fabric. Starting from the center, smooth the batting all the way to the edges. The batting will want to stick to the backing fabric, so you may have to pick it up and lay it back down if you have large puckers or wrinkles.
Place the quilt top face up on the top. Placing the quilt top takes just a little patience to get it aligned just right. Since your backing fabric is exactly the same printed width as the top, you want to alight carefully so that the top isn’t hanging over into the unprinted area. Use the extra tape marks to help line it up. Again, starting in the center, smooth the fabric all the way to the edges. Be careful not to distort or skew the fabric. Patience will pay off.
Using the safety pins, pin through all of the layers about every 4-6 inches. I put about 9 pins in each patchwork block and then put a pin every 6 inches around, placed about 3 inches in from the outside edge. Use lots of pins. They are going to keep everything from shifting as you quilt it.
Choose your quilting.
It is important to do something to hold all of the layers of the quilt together and that is where quilting or tying comes in. You have 3 options for quilting your quilt: by machine, by hand, or tying.
Machine quilting. I machine quilted my quilt by stitching concentric squares in each patchwork block. I chose a top thread color to match the color of the block and used rainbow variegated thread in the bobbin for everything.
I started quilting with the two blocks in the center and then worked towards the outside. Use a straight stitch and backtack at the start and stop. For each block, I started with the small square in the center and worked to the outside, stitching around each edge of the square and pivoting at each corner.
Some tips for machine quilting.
- Roll up the part of the quilt you are not working on. This rolled edge will give you an easy way to hang on to the quilt and will keep the extra fabric out of the way.
- I use both hands to guide the fabric, holding the quilt rolls on both sides of the needle and pulling it slightly tight from side to side. I think this helps keep it from forming little puckers under the needle.
- Be patient. The layers of fabric will want to shift a bit, especially when you get to the corners where the start and stop of your stitching meets. Stitching slowly and taking time to smooth everything out will help.
Hand quilting. You can choose to hand-stitch your quilting lines. There is a great tutorial here with tips to get you started with hand quilting.
Tying. Tying is probably the quickest way to finish your quilt. Use a long piece of embroidery thread doubled over. From the front side, make a small stitch (1/8 inch) through all of the layers of the quilt, leaving a 2 inch tail. Stitch again very close to your first stitch and pull the thread through again to the front. Trim so you have another 2 inch tail. Tie the two ends together using a square knot. You want to make ties about every 4 inches all over the surface of your quilt.
Baste the outside edge.
When you are done quilting, switch the stitch length on your machine to be slightly longer and stitch through all layers about 1/4 inch from the outside raw edge of your quilt. Trim away the excess batting and backing to match the quilt top. You can remove the safety pins.
Join and press the binding.
Join the binding strips together end to end, using a 1/4 inch seam allowance to make one long strip. Press the seam allowances open. Now fold the binding strip in half, matching the long edges of the binding strip together and press.
Stitch the binding with a mitered corner.
Set the quilt on a table face up. Starting in the middle of one side, match the raw edge of the binding strip to the raw edge of the quilt. The folded edge will be towards the center. Pin the strip in place until you are 1/2 inch from the corner. Place a pin at 1/2 in from the corner to mark where you should stop stitching. Starting about 1/2 inch from the end of the strip, stitch 1/2 inch from the raw edge until you reach your stop mark. Don’t forget to backtack at the beginning and end.
To make the mitered corner, fold the unsewn tail of quilt binding straight up, so that its raw edge is parallel with the next side of the quilt we are going to stitch. Right at the corner where you stopped sewing, there will now be a 45 degree fold. Fold the binding down, so the next fold matches the edge of the quilt top behind it and its raw edge is aligned with the next side of the quilt. Pin the corner folds and edge of the quilt and then stitch this new side, stopping again 1/2 inch from the corner. Repeat for all sides of the quilt. When you reach the beginning of the binding, overlap the ends, trim away the extra binding fabric and join the lines of stitching.
To finish the binding, fold it over and turn it towards the back of the quilt. Use a needle and thread with small slip stitches to secure the folded edge of the binding to the back of the quilt, covering the raw edge and the line of stitching. If you don’t know how to do a slip stitch, there is a nice tutorial here.
When you get to the corners, the miters should just fold into place in the front and you just need to make a little tuck to make a matching miter on the back and stitch it down as you go.
Please show us your finished quilts by sharing a photo using hashtag#SpoonChallenge on your favorite social media outlet! We would love to see them.