Kathy Glynn, the author of Hand Lettering Step by Step: Techniques & Projects to Express Yourself Creatively, is back to share the second part of her DIY hand lettering tutorial. By the time you’re done, you’ll be ready to digitally print your calligraphy onto your favorite fabric, wallpaper or gift wrap. If you missed part one, digitizing your lettering, of Kathy’s two-part series, be sure to take a peek before you get started today.
Kathy: Designing your own fabric is a fun way to share your lettering with others or to incorporate your lettering into your craft projects. Before you get started, decide on the elements you want to use, keeping in mind that the design will be repeated. Today I’m using a calligraphic phrase I previously scanned and a scanned watercolor swatch to color the lettering. I used the watercolor swatch to create a custom pattern in Photoshop that gives the lettering a subtle gradation effect. [Read more…] about Turn Your Hand Lettering into a Fabric Design: Backgrounds and Repeats
Have you tried your hand at calligraphy, the DIY trend that’s adding a personal touch to projects like wedding invitations, wall art and even fabric? If you’ve been eager to give this trend a try, you’re in luck because we’re excited to welcome Kathy Glynn, the artist and author behind Hand Lettering Step by Step: Techniques & Projects to Express Yourself Creatively, for a two part series showing you how to transform your hand lettering into a fabric design.
In today’s installment, Kathy will share the first step of this project: taking your lettering from paper to pixel.
As we begin to come to the close of the Design-A-Day SpoonChallenge we can't leave out one of our most important techniques: Typographical! Amy Peppler Adams, better known as pennycandy in the Spoonflower Marketplace, shares with us why this technique is fabulous (and easy) for new Spoonflower users and veterans alike.
Amy: When I found Spoonflower about six years ago, I was coming from a graphic design background. The first several prints I uploaded were typography based, because it seemed like the easiest way to transition into what was, for me, the whole new world of surface design. To this day, I still use type in the majority of my work, and often try to include at least one text-based design in each collection. But you don't need an art degree to experiment with and enjoy using typography in your designs. Here are a few ways anyone can have fun with type.